A B O U T M E

Riley | 17
Pansexual | grey aro/demi-romantic | nonbinary | they/she
❤︎ In a relationship ❤ ︎Main Fandoms:
Dragon Age | Assassin's Creed | Marvel

Occasionally nsfw
Contact me if you need me to tag something triggering

c u r r e n t l y

watching:
Criminal Minds S11 | The Strain s2 | HTGAWM s2 | AHS: Hotel |
waiting for:
Captain America: Civil War | Sense8 s2 | oitnb s4 | star trek 3 | da4
playing:
Dragon age: Inquisition | dragon age 2 | ac2: brotherhoodr
working on:
NanoWrimo 2015
listening to
Badlands | Crybaby | Froot

s o c i a l

Twitter
Personal Twitter
Instagram
8tracks
Bros
AO3
hmu for my snapchat
—var lath vir suledin

|| riley ||

|| 17—pansexual—grey-aro ||

|| cute intersectional feminist ||

|| they/she—genderfluid ||

|| dragon age and shitposting trash ||

|| 8.16.15. ||

sodomymcscurvylegs:

abbiegoth:

zerotide:

darling-highness:

fuzzykitty01:

I didn’t understand the joke until I learned Honey was Latina.

it would have been so much easier to understand if, you know, they actually made her look latina

So you’d rather she be stereotypical?

Well that explains why she rolls the R in Hiro’s name.

“they actually made her look latina”

Latinos don’t have a “look.” It’s an ethnicity, not a race.

winterfalcons-deactivated201802:

[talking about what he spends the most time on when he goes on a date] Unfortunately, my hair. Sometimes, suddenly, there’s a different wave in there you might not want.

caroldancers-deactivated2017042:

And in the end

I’d do it all again

tr1ple-sp1ral:

you’ve been hit by

you’ve been struck by

a craved mineral

hisfairassasin:

You are fighting a war, Queen  Except you have no idea what war does to you - how it scrapes off little pieces of your soul. And you need someone to remind you of who you really are, not this thing you’re becoming.

dutchster:

hey guys i think i got a pretty nice tan over the summer, what do you think?

before:

image

after:

image

tags: shut up

buckykisses-deactivated20141223:

Buy me a drink first, soldier.

imaginebucky:

Imagine Bucky craving touch like oxygen. He’s always been a very physical person, showing his affection through pats on the back and grabbing and nudging and rough one-armed hugs that used to jar Steve’s fragile ribs. Now, after decades of being handled like a live grenade and touched only to restrain or hurt, his hands-on approach to friendship has been all but burned out of him. He’s twitchy and jumpy, all too aware of the brute strength in his own hands and the implicit danger in other people’s. He does not touch. He positions himself at a cautious distance from everyone around him, and when close quarters are required he shrinks in on himself like all his limbs are dangerous weapons that might lash out unexpectedly if he doesn’t keep them locked against his body.

And the others all assume that the distance is what he wants, until the day Steve finds him slumped against the bathroom cabinet after an incident Bucky has made it clear he doesn’t want to talk about, trying to strap his bruised and battered right hand with a bandage held taut between his teeth. “Let me,” Steve says, and Bucky cedes the task without a word of protest; Steve wraps his hand as gently as he can, aware that it’s probably sore as hell, and when he’s done Bucky doesn’t pull away. Just sits there, staring with a kind of wistful fixation at Steve’s hands cradling his.

So Steve tests the waters. Slowly, respectfully, mindful of the many reasons Bucky has to be wary of intrusions on his personal space. But everywhere he touches, all Bucky’s careful boundaries seem to melt like ice beneath his fingers: he rests his hand on Bucky’s forearm when they talk, and Bucky actually sways in closer, until the standing distance between them just barely rides the edge of social comfort. He sits right next to Bucky on the couch and lets his arm go numb from the weight of Bucky leaning in against him, cushioning his head on Steve’s shoulder with a comfortable sigh. He rests a hand on the back of Bucky’s neck and rubs the tense knots of muscle he finds there, and Bucky - there’s no other word for it - purrs, mouth slack and eyes wide with possibly the most disproportionate gratitude Steve has ever seen from him.

And it doesn’t cap out. The more Steve offers, the more Bucky drinks it all in. Steve commits every detail and every preference to memory: the arch of Bucky’s spine when Steve knuckles the knot between his shoulder blades; the quiet, radiating contentment when he sits beside Bucky on the couch and laces their fingers together; the shaky little exhalation when Steve combs his hands through his hair and scrapes his scalp with blunted nails.

Later, he will learn more again: the way Bucky melts into Steve’s kisses, eyes wide open like he doesn’t quite trust the experience to last if he closes them. The way they do scrunch closed when Steve wraps his arms around Bucky’s waist; the tiny shivers as Steve mouths his way down the curve of Bucky’s throat. He maps every inch of Bucky’s body with his hands and mouth until Bucky is squirming beneath him, eyes glassy and unfocused, breath coming in shaky gasps.

(When it’s over, Bucky does not let go of him for a very long time. Steve, unsurprisingly, doesn’t mind.)

Chris Evans at the 2014 Toronto International Film Festival

directorshellhead:

rogersbarnes-deactivated2015012:

[insp]

#THIS IS PURE PERFECTION #BUCKY GETS BROKEN OVER AND OVER #UNTIL WHAT’S LEFT IS A GHOST #AND STILL THE FIRST CHOICE HE MAKES FOR HIMSELF IN SEVENTY YEARS #IS TO SAVE STEVE’S LIFE #PROTECTING STEVE IS SO COMPLETELY INTEGRAL TO WHO BUCKY IS #THAT IT REMAINS WHEN EVERYTHING ELSE IS GONE #FUCK HE JUST LOVES STEVE SO MUCH I AM SO EMOTIONAL(tags via caughtinanocean)

memoryrecovery:

There was a time that the pieces fit, but I watched them fall away.

… between supposed lovers,
between supposed brothers.


I know the pieces fit.
SH